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Writer's high

By David Yaffe-Bellany

Writer's high

There are moments when the body hums with a tension, as if the day itself tightened its grip around one's shoulders, around one's mind. This pressure has no form, at least not yet, though I feel it swelling inside, pulsating throughout my body, demanding discharge. I know it well -- the accumulation of emotions, unspoken thoughts and the weight of experiences pressed too long against my ribs. I know it must come out. And so I move, instinctively, without thought. Whether it's my fingers or my legs, I simply move forward.

I've known this urge to release for as long as I can remember -- first as a physical extrication, and now as a far deeper impulse. Running has always been my way forward, a way to move through the world, releasing accumulated tension and thoughts. My ruminations often race as fast as my legs, and I run to catch up, to keep pace and peace. There are days when it feels like my legs have been wound tight, waiting for the moment they can spring free. Some of my best moments at university thus far have been those unplanned runs -- stepping out of class, into the sunlight, and letting my legs carry me through New Haven to places I didn't intend to discover. In those miles, there's a kind of catharsis, a clarity that comes only from the rhythm of my feet on the ground.

But it's not only my legs that carry this restless energy. I've felt it building in my chest, a different kind of turbulence -- a mental, emotional pressure that demands expulsion just as urgently. While running once freed me from the tension in my body, now writing has become the way I let go of what's inside. It's no longer the physical unleashing I crave; it's the need to spill out the emotions and thoughts I've buried for too long. The urge to move, to release, is still there, but it drives me to the pavement and now the page. Releasing is expressing, and expressing is writing. Thus, writing has become another form of movement -- a way to channel the weight of my inner burdens, to give form to the intangible. I once ran to free my body. Now, I write to free my mind.

Writing, like running, is defined by the act itself. There is no set destination, only the need to move -- to let words or steps fall away until the pressure eases. My fingers move as my legs once did -- guided by instinct, not memory. I don't recall each word or every mile, only the sense of exhalation that comes from letting go of what I could no longer hold. What lingers is the motion itself -- the act of clearing space within, and the quiet that settles in after. To write or to run is to acknowledge the need for release and to surrender to it. It carves a path forward, turning what was once formless into the tangible. The energy that sat, heavy and undefined, now moves -- becoming steps and words beneath my feet and fingertips. Words gain momentum, forming sentences then stories. Steps gain momentum, transforming miles into landscapes. Writing, like running, makes no promises of arrival, only the certainty of motion. In that motion, there is freedom -- freedom from expectation and outcome, allowing one to move without constraint.

With movement comes the need for rhythm. Discovering that rhythm is the first step. In running, I ease into the tempo -- the body gradually finding its cadence, each footfall settling into a beat I can trust. With writing, the words start slowly, but soon align themselves, forming a steady pulse beneath my fingers. I don't control the pace; I yield to it, letting it pull me deeper, one foot, one word at a time. The rhythm anchors me, drawing me into its current until I'm fully absorbed, moving with the flow. Yet, the temptation to stop always lingers -- my legs ache, my mind falters and the desire to pause rises. Stopping feels like it could be relieving in itself. Yet, momentum pulls me forward, a quiet insistence urging me on, past the fatigue and beyond the impulse to quit. For both running and writing, I push through the discomfort, knowing that once I stop, it will be harder to begin again. The rhythm sustains me, holding my breath, my thoughts, my body in its grip. And so I keep going. I find in that rhythm not just motion, but a deeper continuity.

If I keep pushing through, there are moments when I'm met with a kind of grace -- a shift where effort dissolves, and I'm no longer running but gliding. It's the "runner's high" -- the sensation of weightlessness, as if the earth itself has let go of me and I was soaring. I remember those moments from cross country, when the high would rush through me, bringing an extraordinary sense of freedom. My footsteps, my breath, the rhythm of my body -- they fall into sync, moving as one. In that split second of alignment, I'm filled with exhilaration, as time suspends, and I'm propelled forward by a force beyond my body. The pain, once sharp, softens into something else, something that liberates rather than confines. In that fleeting space, running becomes flight -- untethered, buoyant, almost transcendent.

I long for the analogous "writer's high," where thoughts flow effortlessly, and the act of writing unfolds on its own. In those rare moments, I'm not shaping the words -- they seem to surface of their own accord, as if the act of writing was always there, waiting to be discovered. The lines between me and the page blur, and the work becomes a force -- wide, unbounded, with no clear edges. There's no strain, only the quiet propulsion of being carried by forces larger than intention. It's a fleeting sensation, like catching a glimpse of the limitless and unknowable, but in that instant, I understand the why of it all. The reward isn't in what's finished, but in that breathless moment when the boundaries dissolve, and I am not the maker, but simply part of the motion, endless and alive. The act of writing makes me feel infinite, touching the edge of the vast and timeless. In these fractals of time, the words are not mine alone -- they tap into a larger, timeless universal current, where creation feels less like an action and more like a glimpse into something that has always existed, waiting to be discovered.

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